{"id":24782,"date":"2016-02-26T17:45:54","date_gmt":"2016-02-26T16:45:54","guid":{"rendered":"https:\/\/www.aie.es\/reciprocidad\/"},"modified":"2025-12-01T20:40:00","modified_gmt":"2025-12-01T19:40:00","slug":"reciprocity","status":"publish","type":"page","link":"https:\/\/www.aie.es\/en\/users\/reciprocity\/","title":{"rendered":"Reciprocity"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” anchor=”aie” in_content_menu=”in_content_menu” content_menu_title=”Qu\u00e9 es AIE” content_menu_icon=”” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” el_class=”seccion” el_id=”taula-1″][vc_column][vc_column_text css=””]AIE affiliates are entitled to a series of rights when their musical works are used in Spain and in other countries of the world. In order to collect these rights, AIE holds reciprocity agreements with the management entities that represent performers in different countries. By means of these agreements, management entities across the world can exchange the necessary information with the help of international databases, identify performers and match them with their performances, and verify this information with the relevant management societies of each country with which performers are affiliated.<\/p>\n

Afterwards, the corresponding remuneration is exchanged with the relevant foreign management entities and included in the annual distributions these entities carry out among their legitimate recipients.<\/p>\n

Thus, AIE members are receiving the remuneration generated by their music performances in the world\u2019s main countries. As of December 1, 2025, AIE has 113 reciprocity agreements with 82 organizations in 59 countries, meaning that virtually all countries with established rights and laws that protect performers rights hold an agreement with AIE.<\/p>\n

List of reciprocity agreements and rights managed by each management entity:[\/vc_column_text][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Entity<\/th>\nCountry<\/th>\nBilateral (*) B \/ U<\/th>\nRights<\/th>\nSignature<\/th>\nInitial Duration<\/th>\nRenewal Periods<\/th>\n<\/tr>\n
GVL<\/td>\nGERMANY<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, private copying, and rental of audiovisual recordings<\/td>\n11\/04\/2021 (2010 contract update)<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
GVL<\/td>\nGERMANY<\/td>\nU<\/td>\nMaking phonograms available<\/td>\n09\/14\/21<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SDADV<\/td>\nANDORRA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n07\/25\/16<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
AADI<\/td>\nARGENTINA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n09\/01\/05<\/td>\n5 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
LSG<\/td>\nAUSTRIA<\/td>\nB<\/td>\nPublic communication of phonograms, private copying of phonograms, and rental<\/td>\n02\/01\/98<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
RAYS<\/td>\nAZERBAYAN<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n04\/30\/24<\/td>\n2 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
COSCAP<\/td>\nBARBADOS<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n01\/01\/11<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
PLAyRIGHT<\/td>\nBELGIUM<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms<\/td>\n07\/04\/13<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
PLAyRIGHT<\/td>\nBELGIUM<\/td>\nU<\/td>\nPublic communication of phonograms<\/td>\n09\/09\/25<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ABAIEM<\/td>\nBOLIVIA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n05\/13\/97<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ABAIEM<\/td>\nBOLIVIA<\/td>\nU<\/td>\nMaking available phonograms and audiovisual recordings, public communication of audiovisual recordings, and private copying of phonograms and audiovisual recordings.<\/td>\n09\/30\/24<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
ABRAMUS<\/td>\nBRAZIL<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings<\/td>\n11\/25\/10<\/td>\n2 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
AMAR<\/td>\nBRAZIL<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n01\/01\/98<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ASSIM<\/td>\nBRAZIL<\/td>\nU<\/td>\nPublic communication of phonograms<\/td>\n10\/01\/17<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SOCINPRO<\/td>\nBRAZIL<\/td>\nU<\/td>\nPublic communication of phonograms<\/td>\n04\/14\/11<\/td>\n2 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
UBC<\/td>\nBRAZIL<\/td>\nU<\/td>\nPublic communication of phonograms<\/td>\n03\/15\/06<\/td>\n3 YEARS<\/td>\nTriennial<\/td>\n<\/tr>\n
PROPHON<\/td>\nBULGARIA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n03\/23\/11<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ACTRA<\/td>\nCANADA<\/td>\nU<\/td>\nMaking phonograms and audiovisual recordings available, private copying of phonograms<\/td>\n11\/23\/21<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ACTRA\/AFM<\/td>\nCANADA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n03\/24\/09<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
ARTISTI<\/td>\nCANADA<\/td>\nU<\/td>\nPublic communication of phonograms<\/td>\n05\/19\/10<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
MROC<\/td>\nCANADA<\/td>\nU<\/td>\nPublic communication of phonograms<\/td>\n02\/20\/2014; 09\/21\/2021<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SCD<\/td>\nCHILE<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n06\/15\/01<\/td>\n4 YEARS<\/td>\nTriennial<\/td>\n<\/tr>\n
SCD<\/td>\nCHILE<\/td>\nU<\/td>\nPrivate copying of phonograms and audiovisual recordings<\/td>\n01\/01\/14<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SCD<\/td>\nCHILE<\/td>\nU<\/td>\nPublic communication of audiovisual recordings<\/td>\n01\/01\/14<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ASTERAS<\/td>\nCYPRUS<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n08\/08\/10<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ACINPRO<\/td>\nCOLOMBIA<\/td>\nU<\/td>\nPublic communication of audiovisual recordings, private copying of phonograms and audiovisual recordings<\/td>\n05\/07\/2015; 12\/28\/2022<\/td>\n4 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
ACINPRO<\/td>\nCOLOMBIA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n05\/07\/2015. Renewal: 12\/28\/2022<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
FKMP<\/td>\nSOUTH KOREA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n07\/15\/13<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
AIE-COSTA RICA<\/td>\nCOSTA RICA<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings<\/td>\n10\/15\/06<\/td>\n5 YEARS<\/td>\nTriennial<\/td>\n<\/tr>\n
AIE-COSTA RICA<\/td>\nCOSTA RICA<\/td>\nU<\/td>\nPublic communication of audiovisual recordings<\/td>\n10\/31\/23<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
HUZIP<\/td>\nCROATIA<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings<\/td>\n11\/08\/02<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
GRAMEX<\/td>\nDENMARK<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms<\/td>\n11\/28\/1996; 01\/01\/2005<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SARIME<\/td>\nECUADOR<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms and audiovisual recordings<\/td>\n12\/05\/07<\/td>\n4 YEARS<\/td>\nTriennial<\/td>\n<\/tr>\n
SARIME<\/td>\nECUADOR<\/td>\nU<\/td>\nMaking phonograms and audiovisual recordings available and public copying of phonograms<\/td>\n10\/31\/23<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
AARC<\/td>\nUSA<\/td>\nB<\/td>\nPrivate copying of phonograms for performers<\/td>\n01\/31\/13<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SAG-AFTRA, AFM, THE FUND<\/td>\nUSA<\/td>\nB<\/td>\nPrivate copying of phonograms for performers<\/td>\n01\/15\/14<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SOUNDEXCHANGE, AFTRA, AFM,THE FUND<\/td>\nUSA<\/td>\nB<\/td>\nPublic communication of phonograms for performers<\/td>\n01\/25\/08<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
THE FUND\/AFM\/AFTRA<\/td>\nUSA<\/td>\nU<\/td>\nPublic communication of audiovisual recordings for performers<\/td>\n02\/03\/10<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ARIES<\/td>\nEL SALVADOR<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n06\/01\/14<\/td>\n4 YEARS<\/td>\nBiennial<\/td>\n<\/tr>\n
SLOVGRAM<\/td>\nSLOVAKIA<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n01\/01\/1997; 01\/01\/2004<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
ZAVOD IPF<\/td>\nSLOVENIA<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n02\/18\/14<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
EEL<\/td>\nESTONIA<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n04\/24\/06<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
GRAMEX<\/td>\nFINLAND<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n01\/01\/2003; 03\/26\/2010<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ADAMI<\/td>\nFRANCE<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n11\/8\/95<\/td>\n3 YEARS<\/td>\nBiennial<\/td>\n<\/tr>\n
ADAMI<\/td>\nFRANCE<\/td>\nU<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n12\/4\/08<\/td>\n2 YEARS<\/td>\nBiennial<\/td>\n<\/tr>\n
SAI<\/td>\nFRANCE<\/td>\nU<\/td>\nAdditional annual remuneration<\/td>\n9\/19\/23<\/td>\nHasta 31\/12\/2026<\/td>\nAnnual<\/td>\n<\/tr>\n
SPEDIDAM<\/td>\nFRANCE<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n04\/30\/08<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SPEDIDAM<\/td>\nFRANCE<\/td>\nU<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n11\/04\/13<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SPEDIDAM<\/td>\nFRANCE<\/td>\nU<\/td>\nPublic communication (french Exclusive)<\/td>\n11\/04\/13<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SPEDIDAM<\/td>\nFRANCE<\/td>\nU<\/td>\nMaking phonograms available<\/td>\n01\/28\/20<\/td>\nHasta 31\/12\/2021<\/td>\nAnnual<\/td>\n<\/tr>\n
GNRA<\/td>\nGEORGIA<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and audiovisual recordings<\/td>\n09\/01\/23<\/td>\n12\/31\/25<\/td>\nAnnual<\/td>\n<\/tr>\n
APOLLON-ERATO<\/td>\nGREECE<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings<\/td>\n09\/06\/01<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
MUSICARTES<\/td>\nGUATEMALA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n05\/06\/15<\/td>\n4 YEARS<\/td>\nBiennial<\/td>\n<\/tr>\n
MUSICARTES<\/td>\nGUATEMALA<\/td>\nU<\/td>\nPuesta a disposici\u00f3n de fonogramas y grabaciones audiovisuales, comunicaci\u00f3n p\u00fablica de grabaciones audiovisuales y copia privada<\/td>\n10\/31\/23<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
NORMA<\/td>\nNETHERLANDS<\/td>\nB<\/td>\nPrivate copying of audiovisual recordings<\/td>\n06\/21\/06<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
NORMA<\/td>\nNETHERLANDS<\/td>\nU<\/td>\nPrivate copying and lending of phonograms, audio distribution and rental of music software of Background Music<\/td>\n11\/19\/2025<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SENA<\/td>\nNETHERLANDS<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms<\/td>\n09\/30\/1996; 01\/01\/2005<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SENA<\/td>\nNETHERLANDS<\/td>\nU<\/td>\nMaking phonograms available<\/td>\n09\/03\/19<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
EJI<\/td>\nHUNGARY<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, rental, private copying, and making phonograms available<\/td>\n04\/27\/21<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
ISRA<\/td>\nINDIA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n10\/30\/20<\/td>\n2 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
RAAP<\/td>\nIRELAND<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n12\/19\/02<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
RAAP<\/td>\nIRELAND<\/td>\nU<\/td>\nPrivate copying of phonograms<\/td>\n05\/01\/05<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
RAAP<\/td>\nIRELAND<\/td>\nU<\/td>\nPublic communication of audiovisual recordings, rental, private copying of audiovisual recordings, making available<\/td>\n06\/01\/10<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SFH<\/td>\nICELAND<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n05\/11\/06<\/td>\n4 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
IMAIE<\/td>\nITALY<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms<\/td>\n01\/01\/94<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ITSRIGHT<\/td>\nITALY<\/td>\nB<\/td>\nPublic communication of phonograms; private copying of phonograms and additional annual remuneration.<\/td>\n03\/19\/2015. Renwal: 12\/28\/2022<\/td>\n12\/21\/24<\/td>\nAnnual<\/td>\n<\/tr>\n
NUOVOIMAIE<\/td>\nITALY<\/td>\nB<\/td>\nPublic communication of phonograms for the period 2009-2011<\/td>\n05\/21\/15<\/td>\n1 YEAR<\/td>\nNo renewal<\/td>\n<\/tr>\n
NUOVOIMAIE<\/td>\nITALY<\/td>\nU<\/td>\nPublic communication of phonograms and private copying of phonograms<\/td>\n05\/21\/15<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
NUOVOIMAIE<\/td>\nITALY<\/td>\nU<\/td>\nMaking phonograms available<\/td>\n10\/08\/19<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
JAMMS<\/td>\nJAMAICA<\/td>\nU<\/td>\nPublic communication of phonograms<\/td>\n10\/06\/17<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
CPRA-GEIDANKYO<\/td>\nJAPAN<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms and audiovisual recordings<\/td>\n07\/02\/1998; 09\/26\/2003<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
CPRA-GEIDANKYO<\/td>\nJAPAN<\/td>\nU<\/td>\nPublic communication and rental of audiovisual recordings<\/td>\n05\/25\/09<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
CPRA-GEIDANKYO<\/td>\nJAPAN<\/td>\nU<\/td>\nRental of phonograms<\/td>\n09\/26\/03<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
AMANAT<\/td>\nKAZAKHSTAN<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n09\/21\/21<\/td>\n12\/31\/23<\/td>\nAnnual<\/td>\n<\/tr>\n
LAIPA<\/td>\nLATVIA<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms<\/td>\n12\/16\/11<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
AGATA<\/td>\nLITHUANIA<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, private copying of phonograms<\/td>\n01\/01\/03<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SOMEM<\/td>\nMEXICO<\/td>\nB<\/td>\nGeneral representation agreement<\/td>\n04\/10\/92<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
EJE<\/td>\nMEXICO<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings for performers<\/td>\n05\/02\/2006; 11\/22\/2022<\/td>\n4 YEARS<\/td>\nTriennial<\/td>\n<\/tr>\n
GRAMO<\/td>\nNORWAY<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n12\/31\/05<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
NORWACO<\/td>\nNORWAY<\/td>\nB<\/td>\nPrivate copying of phonograms and audiovisual recordings<\/td>\n01\/05\/16<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
PANAIE<\/td>\nPANAMA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n04\/26\/12<\/td>\n4 YEARS<\/td>\nBiennial<\/td>\n<\/tr>\n
PANAIE<\/td>\nPANAMA<\/td>\nU<\/td>\nMaking phonograms available<\/td>\n12\/22\/2019; 09\/19\/2023<\/td>\nHasta 31\/12\/2021<\/td>\nAnnual<\/td>\n<\/tr>\n
AIE-PARAGUAY<\/td>\nPARAGUAY<\/td>\nB<\/td>\nPublic communication of phonograms, private copying of phonograms and audiovisual recordings<\/td>\n9\/16\/04<\/td>\n5 YEARS<\/td>\nTriennial<\/td>\n<\/tr>\n
SONIEM<\/td>\nPERU<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, private copying of phonograms and audiovisual recordings<\/td>\n01\/28\/1997; ANEXO 05\/10\/2010<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SONIEM<\/td>\nPERU<\/td>\nU<\/td>\nMaking phonograms and audiovisual recordings available, private copying of phonograms<\/td>\n10\/31\/2023<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SAWP<\/td>\nPOLAND<\/td>\nU<\/td>\nPrivate copying of phonograms<\/td>\n12\/11\/2018; 10\/06\/2021;
\n11\/28\/2023<\/td>\n		1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
STOART<\/td>\nPOLAND<\/td>\nU<\/td>\nMaking phonograms and audiovisual recordings available, private copying of phonograms<\/td>\n12\/07\/18<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
STOART<\/td>\nPOLAND<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, rental, private copying of audiovisual recordings<\/td>\n09\/21\/21<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
GDA<\/td>\nPORTUGAL<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, private copying of phonograms and audiovisual recordings<\/td>\n01\/31\/1997; 07\/27\/2005<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
GDA<\/td>\nPORTUGAL<\/td>\nU<\/td>\nMaking phonograms and audiovisual recordings available, private copying of phonograms<\/td>\n09\/23\/22<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
PPL<\/td>\nUNITED KINGDOM<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n05\/24\/07<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
PPL<\/td>\nUNITED KINGDOM<\/td>\nU<\/td>\nPublic communication of audiovisual recordings, private copying of phonograms and audiovisual recordings, rental of audiovisual recordings<\/td>\n05\/28\/09<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
PPL<\/td>\nUNITED KINGDOM<\/td>\nU<\/td>\nMaking phonograms available<\/td>\n02\/14\/20<\/td>\nHasta 31\/12\/2021<\/td>\nAnnual<\/td>\n<\/tr>\n
INTERGRAM<\/td>\nCZECH REPUBLIC<\/td>\nB<\/td>\nPublic communication of phonograms, private copying of phonograms and audiovisual recordings, public communication of audiovisual recordings<\/td>\n01\/01\/1997; 01\/01\/2004; 06\/29\/2007<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
INTERGRAM<\/td>\nCZECH REPUBLIC<\/td>\nU<\/td>\nMaking phonograms available<\/td>\n12\/13\/22<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SODAIE<\/td>\nDOMINICAN REPUBLIC<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n07\/01\/12<\/td>\n4 YEARS<\/td>\nBiennial<\/td>\n<\/tr>\n
CREDIDAM<\/td>\nROMANIA<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, private copying of phonograms and audiovisual recordings<\/td>\n01\/01\/03<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
CREDIDAM<\/td>\nR0MANIA<\/td>\nU<\/td>\nMaking phonograms and audiovisual recordings available, private copying of phonograms<\/td>\n01\/11\/22<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ROUPI<\/td>\nRUSSIA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n01\/21\/04<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
RUR<\/td>\nRUSSIA<\/td>\nB<\/td>\nPrivate copying of phonograms and audiovisual recordings<\/td>\n10\/31\/12<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
VOIS<\/td>\nRUSSIA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n09\/26\/11<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
PI<\/td>\nSERBIA<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms and audiovisual recordings<\/td>\n11\/22\/13<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
POSA<\/td>\nSOUTH AFRICA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n12\/03\/16<\/td>\n2 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SAMI<\/td>\nSWEDEN<\/td>\nB<\/td>\nPublic communication of phonograms and private copying of phonograms<\/td>\n01\/01\/1996; 03\/09\/2002<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
SAMI<\/td>\nSWEDEN<\/td>\nU<\/td>\nPublic communication of audiovisual recordings and making phonograms and audiovisual recordings available<\/td>\n02\/09\/17<\/td>\n2 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SWISSPERFORM<\/td>\nSWITZERLAND<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings, rental, private copying of phonograms and audiovisual recordings<\/td>\n06\/08\/04<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
ULCRR<\/td>\nUKRAINE<\/td>\nU<\/td>\nPublic communication of phonograms (exclusively for the public performance uses for which ULCRR is accredited)<\/td>\n12\/21\/21<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
UMA<\/td>\nUKRAINE<\/td>\nB<\/td>\nPublic communication of phonograms and audiovisual recordings<\/td>\n11\/15\/04<\/td>\n4 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
SUDEI<\/td>\nURUGUAY<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n2002<\/td>\n5 YEARS<\/td>\nTriennial<\/td>\n<\/tr>\n
SUDEI<\/td>\nURUGUAY<\/td>\nU<\/td>\nPrivate copying of phonograms and audiovisual recordings, public communication of audiovisual recordings<\/td>\n10\/17\/17<\/td>\n4 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n
AVINPRO<\/td>\nVENEZUELA<\/td>\nB<\/td>\nPublic communication of phonograms<\/td>\n01\/01\/01<\/td>\n5 YEARS<\/td>\nQuinquennial<\/td>\n<\/tr>\n
AVINPRO<\/td>\nVENEZUELA<\/td>\nU<\/td>\nPublic communication of audiovisual recordings<\/td>\n07\/16\/12<\/td>\n1 YEAR<\/td>\nAnnual<\/td>\n<\/tr>\n
AVINPRO<\/td>\nVENEZUELA<\/td>\nU<\/td>\nPublic communication of audiovisual recordings<\/td>\n10\/31\/23<\/td>\n3 YEARS<\/td>\nAnnual<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

(*) Unilateral contracts involve payment by AIE to the other management entity, except in two cases:<\/p>\n

    \n
  • GEIDANKYO unilateral contract for phonogram rental.<\/li>\n
  • SPEDIDAM unilateral contract for exclusive rights for secondary uses.<\/li>\n<\/ul>\n

    [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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